What are Film examples?

Film examples are high-quality student coursework samples from Film that have been verified and scored by IB examiners. These examples include Internal Assessments (IA), Extended Essays (EE), and other assessed work.

How are these examples verified?

All examples in our collection have been verified with scores by qualified IB examiners, ensuring they represent authentic, high-quality student work that meets IB assessment standards.

What types of Film coursework are included?

Our Film example collection includes Internal Assessments (IA), Extended Essays (EE), and other assessed components specific to Film.

Film Examples

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The Coursework Examples section gives IB students (both SL and HL) access to real, high-quality samples of IB Film Internal Assessments (IA) and Extended Essays (EE). Each example is carefully selected to model top-scoring work, aligned with IB assessment rubrics and showcasing what examiners expect at different achievement levels.

On this page, you'll find full-length examples annotated with examiner commentary, highlighting strengths, weaknesses, and specific rubric-based insights. These samples demonstrate how ideas are structured, arguments developed, and criteria met to achieve high marks.

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To what extent does colour saturation in The Fall, and The Cook, The Thief, His Wife, and Her Lover symbolise the tension between subjective reality, human imagination and a morally corrupt reality?

Textual Analysis Film: Capernaum Director: Nadine Labaki Sequence: 0:21:30 – 0:26:30 Word Count: 1900

To what extent do lighting and framing construct viewer complicity in Network (Sidney Lumet, 1976) and Nightcrawler (Dan Gilroy, 2014)?

How does Roger Deakins’ use of lighting, colour and composition adapt visual conventions in No Country for Old Men (2007) and Blade Runner 2049 (2017)?

To what extent do social satire films deconstruct class hierarchies using themes and motifs, mise-en-scène and narrative structure and how is this different according to their cultural contexts?

Film Film: Collaborative film project (HL) exemplar

How do the directors of chosen films use cinematography and sound to examine the emotional and social struggles of the LGBTQ community?

To what extent does the neo-noir style impact the contrasting portrayal of identity and human connections in the films “The Matrix” and “Fallen Angels”?

How does Bong Joon-Ho use cinematic techniques to portray the inequality between social classes in the movies Parasite and Snowpiercer?

What role does editing play in the portrayal of psychological horror in Last Night in Soho and Black Swan, and how do these techniques enhance the audience’s emotional response?

How are alienation and trauma explored in psychological thriller films The Silence of the Lambs (1991) and Joker (2019) through the use of cinematography, lighting, and colour?

In what ways do cinematic theory, audience perspective, and directorial intent shape how Parasite and The Zone of Interest depict and critique structural violence?

How do global realist films expose poverty, inequality, and cultural diversity within postcolonial societies?

This analysis uses a Marxist lens to examine how Berger’s cinematography and mise- en-scène construct meaning tied to WWI’s context.

How do cutscenes in the video game “Resident Evil 4” adapt cinematic techniques used in horror films to trigger and reinforce fear responses, in comparison to traditional horror cinema such as The Nun?

'All Quiet on the Western Front' (2:10:00-2:15:00) (Focusing on Sound, Mise-en-scene and cinematography)

How successful is Jordan Peele in using emotional and symbolic language within the horror/thriller genre to critique societal anxieties and communicate deeper societal themes and messages?

In what ways do Flags of Our Fathers and Letters from Iwo Jima portray heroism and victimhood differently through their opposing perspectives on the Battle of Iwo Jima?

How do the contemporary Indonesian coming-of-age films,"Nanti Kita Cerita Tentang Hari Ini"(2020) and "Keluarga Cemara (2018), represent family struggles in the context of Indonesian society through their distinct visual styles?"

To what extent has the evolution of gender roles in Bollywood films from the 1970s to the 2010s reflected societal changes in India?

To what extent does director Bong Joon-Ho represent family and class in ‘The Host’ and ‘Snowpiercer’ using visual symbolism and settings? ”

To what extent do Euphoria and Mean Girls compare and contrast in costume design to convey the feminist film theory?

Film IA Level 7 Examples

Film IA Level 7 Examples

Film IA Level 7 Examples

Film EE Examples

Film EE Examples

Film EE Grade A Examples

IB Subjects