Poetry
1. How to Read a Poem (3-Step Reading Method)
First Reading – Overall Impression
- Read the poem silently all the way through.
- Identify and define any unfamiliar words.
- Get a general sense of the tone, subject, and voice.
- Jot down initial emotions or reactions.
- Spot any strong connotations.
Second Reading – Sound & Language
- Read the poem aloud if possible—listen for rhythm and tone.
- Pay attention to punctuation, pauses, and phrasing.
- Highlight sound devices: alliteration, assonance, onomatopoeia, rhyme, etc.
- Ask: How do the sound patterns shape the mood or impact?
Third Reading – Structure & Meaning
- Analyse figurative language: metaphors, similes, personification, symbolism.
- Look at form: sonnet? free verse? quatrains? rhymed couplets?
- Translate the poem into plain prose—what’s it saying?
- Reflect on theme, message, and emotional arc.
2. Poetic Terms & Techniques
Imagery (sensory language)
- Visual – sight ("bright blue sky")
- Aural – sound ("whispers in the wind")
- Olfactory – smell ("the scent of burnt toast")
- Tactile – touch ("frozen skin")
- Gustatory – taste ("bitter words")
- Organic – internal sensations ("knees trembling")
Figurative Language
Term | Definition | Example |
---|---|---|
Simile | comparison using “like” or “as” | "Eyes like saucers" |
Metaphor | implied comparison | "Time is a thief" |
Personification | giving human traits to non-human things | "The wind whispered" |
Hyperbole | exaggeration | "A million thoughts racing" |
Allusion | reference to known people/events/texts | "He met his Waterloo" |
Symbolism | an object representing an abstract idea | "A dove = peace" |
Structure and Form
- Stanza – a grouped set of lines
- Quatrain – 4-line stanza
- Couplet – 2 rhyming lines
- Caesura – a pause within a line
- Enjambment – a sentence continues past the end of a line
- Refrain – repeated phrase or line
- Free verse – no regular rhythm/rhyme
- Dramatic monologue – speaker addresses a silent listener
Sound Devices
Device | Description | Example |
---|---|---|
Alliteration | repeated consonant sounds | "wild winds whipped" |
Assonance | repeated vowel sounds | "rise high in the bright sky" |
Consonance | repeated consonants | "stroke of luck" |
Onomatopoeia | words imitating sound | "buzz", "clang" |
Cacophony | harsh, jarring sounds | "grate", "scratch", "crunch" |
Euphony | soft, pleasing sounds | "lilting lullaby" |
Internal rhyme | rhyme within a line | "I drove myself to the lake and dove" |
Slant rhyme | near rhyme (not exact) | "shape/keep" |
Eye rhyme | looks like a rhyme but isn’t | "love/move" |
3. How to Analyse a Poem – Acronym Strategies:
SCASNI (for first impressions)
Element | What to Consider |
---|---|
S – Speaker | Who is speaking? What’s their attitude? |
C – Context | What’s happening? Any situation or background? |
A – Audience | Who is being addressed—self, other, reader? |
S – Style/Tone | Mood: nostalgic, bitter, joyful, ironic? |
N – Narrative Voice | 1st/2nd/3rd person? Is the speaker reliable? |
I – Ideas | Themes: love, loss, time, identity, power, etc. |
SPEC FILMS (for deeper analytical reading)
Category | Sample Questions |
---|---|
S – Subject | What’s the poem about? Who is speaking? |
P – Purpose | What is the poet trying to say? What is the message or theme? |
E – Emotions | What feelings are being expressed or evoked? Does the mood shift? |
C – Craft | How do the poet’s language choices affect meaning? |
F – Figurative Language | Which metaphors, symbols, or images stand out? |
I – Imagery | What senses are engaged? Are the images vivid or symbolic? |
L – Language | Look at diction, syntax, tone—are the words formal, harsh, gentle? |
M – Movement/Structure | How does the poem develop? Line breaks? Repetition? Stanzas? |
S – Sound Devices | Any rhyme, rhythm, alliteration, or musicality? |
Poetry Model Answer
Text Extract
Poem Title: The Window
Poet: Elena Marlowe
I pressed my face to the cold glass pane,
The world outside was quiet, grey, unknown.
A sparrow blinked at me through autumn rain,
Then flitted off—its motion barely shown.
My breath misted the glass; the image blurred.
Inside was warmth, but I could not feel heat.
I turned to speak, but no one heard—
Their laughter faded down the hallway street.
How strange, to be so rooted, yet adrift.
The carpet held my feet, the walls my frame.
But somewhere in me, silence cracked and slipped,
And I no longer answered to my name.
A window is a border made of air—
Too thin to trap, too thick to pass through clean.
I looked once more. The sparrow wasn’t there.
Just sky. Just grey. Just everything between.
Guiding Question
How does Elena Marlowe use language and structure to explore the theme of isolation in the poem The Window?
Essay Outline:
- Introduction
- Context: Introduce The Window as a reflective lyric poem focused on a speaker suspended between the world inside and outside.
- Theme: Isolation as an emotional and psychological state—more internal than physical.
- Thesis:
Elena Marlowe uses the window as a central metaphor for emotional disconnection. Through sensory imagery, symbolism, and structural framing, she portrays the speaker’s isolation as both a personal and existential condition—quiet, continuous, and inescapable.
- Body Paragraph 1 – Physical Isolation and Sensory Imagery (PEEL)
- P – Point:
Marlowe opens the poem by portraying the speaker’s physical separation from the outside world, using sensory and visual imagery to establish tone and theme. - E – Evidence:
- “I pressed my face to the cold glass pane”
- “quiet, grey, unknown”
- “My breath misted the glass; the image blurred”
- E – Explanation:
- P – Point: