Writing For Voice And Dialogue
- These text types test whether you can write for spoken communication.
- They require natural conversation flow, clear speaker roles, and awareness that the audience is listening, not reading.
- Examiners will check if your script sounds authentic when spoken aloud.
Podcasts
Podcast
A scripted or semi-scripted audio programme, typically episodic, covering specific topics through discussion, narrative, or interview format.
- Purpose, Audience & Register
- Purpose: Inform, entertain, explore topics in depth, build ongoing audience engagement.
- Audience: Niche interest groups or general listeners, often consumed during commutes or leisure time.
- Register: Conversational, can range from casual to professional depending on topic.
- Layout & Conventions
- Episode title and number.
- Opening segment (introduction, theme music note, host greeting).
- Main content segments with transitions.
- Closing segment (summary, call to action, credits).
- Speaker labels for all dialogue.
- Sound cues in brackets where relevant [music fades], [laughter].
Key Features
- Tone: Conversational, engaging, often intimate or personal.
- Vocabulary: Contractions common, incomplete sentences acceptable if natural, filler words used sparingly but present ("well," "you know"), direct address to listeners.
- Podcasts are not formal speeches read aloud.
- They sound like conversation, even when carefully planned.
- If your script feels stiff or overly polished, you've missed the medium.
How to Write a Podcast Script
- Hook listeners immediately: The first 30 seconds determine whether someone keeps listening.
- Bad: "Hello, welcome to episode 47. Today we will discuss climate change."
- Good: "Picture this: you wake up and your city is underwater. Sound far-fetched? Three coastal towns dealt with exactly that last month. I'm Sarah Chen, and today we're asking whether your hometown is next."
- Write for the ear, not the eye: Read your script aloud. If you stumble, rewrite it. Spoken language uses shorter sentences and simpler structures than written text.
- Build in natural transitions: Move between topics smoothly with phrases like "So that got me thinking about..." or "Before we move on..."
- Vary the pace: Mix information with questions, facts with opinions, serious moments with lighter ones. Monotony loses listeners.
- Include the audience: Use "you," "we," "us." Listeners should feel part of a conversation, not lectured at.
- Example: "We've all been there, right? You know you should study, but somehow you're reorganizing your desk drawer instead."
- Close with purpose: Remind listeners what they gained, preview next episode, request reviews or comments.
- Podcasts have exploded in popularity over the past decade.
- By 2025, over 400 million people worldwide listen to podcasts regularly.
- Understanding this format matters because it represents how modern audiences consume information: on-demand, portable, and personal.
Radio Broadcasts
Radio broadcast
A live or recorded programme transmitted over radio, including news segments, talk shows, or announcements.
- Purpose, Audience & Register
- Purpose: Inform, entertain, or engage listeners in real-time or near-real-time format.
- Audience: General public or specific demographics (based on station and time slot).
- Register: Professional, clear, often more formal than podcasts due to broadcast standards.
- Layout & Conventions
- Station identification and programme name.
- Time markers if relevant (for news broadcasts).
- Clear speaker identification.
- Structured segments with openings and closings.
- Acknowledgment of the medium ("listeners," "on the radio").
Key Features
- Tone: Clear, energetic, professional, aware of live broadcast context.
- Vocabulary: Precise, accessible language, active voice, present tense for immediacy, time references ("coming up," "earlier today").
- Radio broadcasts are more structured than podcasts and more aware of time constraints.
- Every second matters because of scheduled programming.
- Broadcasters get to the point faster.
How to Write a Radio Broadcast
- Identify time and context immediately: Listeners tuning in need to know what they're hearing.
- Example: "Good morning, you're listening to Morning Edition on Capital FM. I'm James Morrison, and it's 7:15 on Tuesday, March 23rd."
- Use broadcast-appropriate language: Write for clarity since listeners cannot rewind easily. Avoid complex sentences or ambiguous references.
- Bad: "The aforementioned policy, which was discussed in yesterday's session regarding educational reform, has been modified."
- Good: "The education policy announced yesterday has been changed."
- Include live broadcast elements: Acknowledge the real-time nature.
- Examples: "We'll take calls after the break," "More on this story at the top of the hour," "Stay with us."
- Maintain energy: Radio demands vocal engagement. Your script should sound alive, not flat.
- Time everything: Note segment lengths if writing a full programme. "3-minute news update," "5-minute interview segment."
Interviews
Interviews
A structured conversation between an interviewer and interviewee, designed to elicit information, opinions, or personal insights.
- Purpose, Audience & Register
- Purpose: Extract interesting or useful information, reveal personality or expertise, inform or entertain audience.
- Audience: Readers or listeners interested in the interviewee or topic.
- Register: Varies based on publication and subject, from casual to formal.
- Layout & Conventions
- Brief introduction identifying both parties.
- Q&A format with clear speaker labels (Q: or Interviewer: / A: or Name:).
- Questions and answers in logical sequence.
- Optional brief conclusion or closing note.
Key Features
- Tone: Conversational but purposeful, interviewer guides but doesn't dominate.
- Vocabulary: Questions use open phrasing ("How," "Why," "Tell us about"), interviewee responses sound like natural speech.
- The best interview questions cannot be answered with yes or no.
- They invite explanation, stories, or reflection.
- Weak interviewers ask closed questions that produce dead-end answers.
How to Write an Interview
- Introduce efficiently: Give readers context about who is speaking and why this conversation matters.
- Example: "We sat down with Dr. Maria Santos, the marine biologist whose research on coral restoration has influenced global conservation policy."
- Ask open, specific questions: Generic questions produce generic answers.
- Bad: "Do you like your job?"
- Good: "What moment in your research career completely changed how you understood ocean ecosystems?"
- Follow a logical progression: Start broader, move toward more specific or personal questions. Let the conversation build naturally.
- Make the interviewee sound authentic: Include natural speech patterns, even incomplete sentences or corrections if they add character.
- Example: "I mean, when I started, I thought... no, I was certain this would take years. Turns out it took decades."
- Vary question length and style: Mix short, direct questions with longer, contextual ones. Avoid making every question the same length or structure.
- Allow space for personality: The interviewee's voice should dominate. Your questions set up their insights.
- Writing effective interview questions shares principles with designing questionnaires, but the goal differs.
- Questionnaires aim for measurable, comparable data across many respondents.
- Interviews aim for depth, nuance, and individual insight from one person.