Charisma and propaganda
- Radio Rebelde (1958): Began as a guerrilla station in the Sierra Maestra, key tool for propaganda.
- After 1959: Castro used radio and TV to broadcast speeches, music, and achievements, making the revolution omnipresent.
- Impact: Media reinforced Castro’s personal image as the face of the revolution, fostering a near-cult status.
- Literacy gains (1961 Campaign): Enabled widespread use of print for propaganda.
- Publications: Bohemia (co-opted magazine) and Granma (official newspaper) spread ideology, achievements, and anti-imperialism.
- Themes: Social justice, sovereignty, anti-imperialism, fostering loyalty to the revolution.
- Impact: Written propaganda, boosted by high literacy, consolidated support among youth and urban middle class.
Cuban revolutionary music
- Role of music: Unified people, celebrated heroes, spread socialist values, and built national pride.
- Genres: Traditional forms (son, guajira, bolero) adapted with revolutionary themes.
- Nueva Trova (late 1960s): Artists like Silvio Rodríguez and Pablo Milanés linked music to social justice and anti-imperialism.
- State support: Government promoted music via festivals, EGREM label, schools, and media, embedding it into society.
Music, art and cultural expressions as propaganda make a prime topic for Internal Assessment investigation, as they can be narrowed down and studied effectively in 2200 words.
Bohemia Magazine
- Bohemia (founded 1908): Influential Cuban magazine, known for investigative journalism and nationalism.
- Role against Batista: Published reports and images of regime brutality, supporting reformist and revolutionary movements; mobilized middle-class and intellectual opposition.
- After 1959: Nationalized, lost independence, and became a tool of state propaganda promoting socialism and Castro’s leadership.
- Fidel Castro gave an estimated 2,500 to 3,000 speeches between 1959 and 2008, many of which were broadcast live across the country via radio and television.
- His speeches often lasted hours, his average speech was between 2 and 4 hours, but many went far beyond that.
- One of his longest documented speeches at the United Nations in 1960 lasted 4 hours and 29 minutes, still among the longest ever recorded at the UN.
Castro's Cult of Personality
- Castro as propaganda: His legendary oratory was central, with speeches broadcast widely to tie his personal story to the revolution.
- Key themes: Sovereignty, social justice, and anti-U.S. imperialism, fostering a siege mentality and unity.
- Impact: From “History Will Absolve Me” (1953) to regular addresses, he built his image as a man of the people, legitimizing authority (Hugh Thomas).
- Cult of personality: Castro portrayed as infallible hero, linked to independence figures like José Martí to boost national pride and legitimize policies.
- Media image: Shown as selfless, modest, and tireless, reinforcing loyalty and suppressing dissent.
- Loyalty = patriotism: Opposition framed as betrayal of Cuba; loyalty to Castro equated with loyalty to the nation.
- Anti-imperialist narrative: Constant focus on U.S. threats, uniting Cubans and justifying radical reforms and authoritarian measures.
- Crisis propaganda: Events like the Bay of Pigs (1961) and Missile Crisis (1962) used to strengthen the revolution’s legitimacy and Castro’s leadership.
- How did Radio Rebelde and later state media (radio and TV) help make the revolution a constant presence in Cuban life?
- Why did rising literacy rates after 1961 make print propaganda (e.g., Bohemia and Granma) especially effective among youth and the middle class?
- In what ways did Castro’s speeches and oratory cultivate his image as both a revolutionary hero and a “man of the people”?
- How did the cult of personality link Castro to Cuban independence figures like José Martí, and why was this important for legitimizing the regime?
- How did the anti-imperialist narrative, especially during crises like the Bay of Pigs and the Missile Crisis, justify authoritarian measures and strengthen Castro’s authority?


