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Aims and results of policies: Castro's cultural policies Notes
Domestic Policies: Cultural Policies
Castro aimed to build a distinctly Cuban culture rooted in nationalism and revolutionary values, free from foreign influence.
Revolutionary language (e.g., “struggle,” “victory”) and translation of English terms reinforced ideology.
Institutions like the National Ballet and ICAIC (Cuban Institute of Arts and Cinematographic Industry, 1959) were founded to ensure the arts reflected and promoted revolutionary ideals.
Case study
National Ballet of Cuba (BNC)
Castro saw ballet as a symbol of national pride and cultural sovereignty after 1959.
State funded free ballet schools, opening elite art to all and promoting social mobility through talent.
Success of Cuban dancers abroad projected a refined, revolutionary image of Cuba.
Alicia Alonso, world-class dancer, led the National Ballet of Cuba (BNC) with Castro’s support.
Alonso’s prestige, charisma, and loyalty to Cuba transformed ballet from a bourgeois pastime into a revolutionary cultural expression.
National Ballet of Cuba (BNC)
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