Comparative Analysis Part 1 Notes

• While Khaled Hosseini’s A Thousand Splendid Suns presents silence as a form of survival under patriarchal oppression, Arthur Miller’s The Crucible portrays silence as a dangerous complicity in injustice.
• This topic sentence:
  • Introduces a clear focus: the function of silence
  • Refers to both texts and authors
  • Sets up a contrast: survival vs. complicity

• In A Thousand Splendid Suns, Mariam’s silence in the courtroom after killing Rasheed is deeply symbolic. Rather than defend herself, she accepts her execution. Through understated narration and sparse dialogue, Hosseini presents this silence not as passivity but as an active choice, highlighting Mariam’s final assertion of agency in a life where her voice was consistently denied.
• Key features:
  • One focused quote or moment
  • Specific techniques (narration, dialogue)
  • Links clearly to the umbrella point: silence as self-empowerment

Miller also explores the consequences of silence, though in a more morally charged context. In The Crucible, John Proctor initially remains silent about Abigail’s deception, allowing the witch trials to escalate. Miller’s use of dramatic irony here where the audience knows more than the characters casts Proctor’s silence as a failure of courage, not a survival strategy.

While Mariam’s silence is an act of self-determination that redeems her in the eyes of the reader, Proctor’s silence intensifies the tragedy by allowing injustice to spread. Hosseini frames silence as a tool for reclaiming agency while Miller sees it as a moral failure.

Both authors use silence to explore how power and morality shape human choices, though they arrive at very different conclusions about its worth.

While Khaled Hosseini’s A Thousand Splendid Suns presents silence as a survival tactic under patriarchal oppression, Arthur Miller’s The Crucible portrays it as dangerous complicity in injustice. Hosseini constructs Mariam as someone who endures Rasheed’s abuse in silence, “What harmful thing had she done…?” using internal narration and understated prose to show how silence protects her in a world where speaking out risks death. In contrast, Miller uses characters like Elizabeth Proctor and Giles Corey to highlight silence’s moral cost. Elizabeth’s quiet denial “No, sir” undermines John’s confession, while Corey’s refusal to name names leads to his death: “More weight.” Through dramatic irony and tense courtroom dialogue, Miller shows how silence, even when principled, can perpetuate injustice. Thus, Hosseini frames silence as private endurance, while Miller critiques it as public failure revealing how silence may either preserve life or enable oppression, depending on the sphere in which it operates.